Not pretending this is about dance in Manchester or the north west (something that is virtually dead in any case, so far as one can tell). This is obsession.
- AISHA AND ABHAYA (2020) (RAMBERT/ROYAL BALLET)
- AUTODANCE (2017) (GOTEBORGS OPERANS DANSKOMPANI, SWEDEN)
- BEDROOM FOLK (2015) (NDT1)
- BERTOLINA (2006) (BATSHEVA DANCE COMPANY)
- BILL (2010) (BATSHEVA DANCE COMPANY) (BALLET BRITISH COLUMBIA, CANADA)
- CORPS DE WALK (2011) (CARTE BLANCHE, NORWAY)
- FEELINGS (2016) (NDT2)
- HALF LIFE (ROYAL SWEDISH BALLET) (STAATSBALLET BERLIN)
- HOUSE (2011) (BATSHEVA DANCE COMPANY)
- KILLER PIG (2009)(CARTE BLANCHE,NORWAY) (RAMBERT 2)
- LOVE CHAPTER 2 (2016) (L-E-V)
- LOVE CHAPTER 3: THE BRUTAL JOURNEY OF THE HEART(2019) (L-E-V)
- MAKAROVA KABISA (2008) (BATSHEVA DANCE COMPANY)
- OCD LOVE (2015) (L-E-V)
- OCCUPATION (2020) (TANZMAINZ)
- PLAFOMA (2012) (TANZCOMPAGNIE OLDENBURG, GERMANY)
- PROCESS DAY (2014) (SCOTTISH DANCE THEATRE, UK)
- R A K M D L G D (L-E-V) (2019)
- SALT WOMB (2016) (NDT1)
- SARA (2013) (NDT2)
- SOUL CHAIN (2018) ( TANZMAINZ)
- THE LOOK (2019) (BATSHEVA DANCE COMPANY, ISRAEL)
- TOO BEAUCOUP (2011) (HUBBARD STREET DANCE CHICAGO, USA)
- UNTITLED BLACK (2012) (GOTEBORGS OPERANS DANSKOMPANI, SWEDEN)
- USED TO BE BLONDE (NATIONAL YOUTH DANCE COMPANY, UK) (2018)
Key: Title of work (Year created) (Company created for) (Production staged by a different company - this means I have seen this production).
Anything in bold the author has seen performed.
 |
| Half Life | Berlin Staatsballett |
 |
| Killer Pig | Rambert2 |
 |
| Parts of Love @ Bold Tendencies | L-E-V |
"The androgyny, sexuality, space alienness, murkiness, tribalism, roboticism, energy, eroticism, wildness, sensuality, urbanism − all are among Eyal and Behar’s hallmarks... " Shir Hacham: https://www.haaretz.com/.premium-footloose-former-batsheva-dancer-breaks-her-silence-1.5268901