Not pretending this is about dance in Manchester or the north west (something that is virtually dead in any case, so far as one can tell). This is obsession.
- AISHA AND ABHAYA (2020) (RAMBERT/ROYAL BALLET)
- AUTODANCE (2017) (GOTEBORGS OPERANS DANSKOMPANI, SWEDEN)
- BEDROOM FOLK (2015) (NDT1) (BALLET BC) - seen online
- BERTOLINA (2006) (BATSHEVA DANCE COMPANY)
- BILL (2010) (BATSHEVA DANCE COMPANY) (BALLET BRITISH COLUMBIA, CANADA)
- BODYSUIT (2025) (SHARON EYAL DANCE)
- CORPS DE WALK (2011) (CARTE BLANCHE, NORWAY)
- DARK IN THE HOUSE (2022) (L-E-V) - Mash up of House, OCD Love and WET created specifically for BOLD TENDENCIES
- FAUNES (2021) (PARIS OPERA BALLET)
- FEELINGS (2016) (NDT2)
- HALF LIFE (ROYAL SWEDISH BALLET) (STAATSBALLET BERLIN) (2019)
- HOUSE (2011) (BATSHEVA DANCE COMPANY)
- ima (2024) (GöteborgsOperans Danskompani)
- INTO THE HAIRY (2023) (L-E-V)
- JAKIE (2023) (NDT)
- KILLER PIG (2009)(CARTE BLANCHE,NORWAY) (RAMBERT 2) (2019) (2021)
- LOVE CHAPTER 2 (2016) (L-E-V) (2021)
- LOVE CHAPTER 3: THE BRUTAL JOURNEY OF THE HEART (2019) (L-E-V)
- LOV3 (2023)
- MAKAROVA KABISA (2008) (BATSHEVA DANCE COMPANY)
- OCD LOVE (2015) (L-E-V) (2021)
- OCCUPATION (2020) (TANZMAINZ)
- PLAFOMA (2012) (TANZCOMPAGNIE OLDENBURG, GERMANY)
- PROCESS DAY (2014) (SCOTTISH DANCE THEATRE, UK)
- PROMISE (2021) (TANZMAINZ)
- R A K M D L G D (L-E-V) (2019) (2021)
- R.O.S.E. (L-E-V) (2023)
- SAABA (2021) (GOTEBORGS OPERANS DANSKOMPANI, SWEDEN) (2023)
- SALT WOMB (2016) (NDT1)
- SARA (2013) (NDT2)
- SOUL CHAIN (2018) (TANZMAINZ)
- STRONG (2019) (STAATSBALLETT BERLIN) - seen online
- THE LOOK (2019) (BATSHEVA DANCE COMPANY, ISRAEL)
- TOO BEAUCOUP (2011) (HUBBARD STREET DANCE CHICAGO, USA)
- UNTITLED BLACK (2012) (GOTEBORGS OPERANS DANSKOMPANI, SWEDEN) - seen online
- USED TO BE BLONDE (NATIONAL YOUTH DANCE COMPANY, UK) (2018)
- WET (2022) (L-E-V)
- 2 CHAPTERS LOVE (2023) (STAATSBALLETT BERLIN)
Key: Title of work (Year created) (Company created for) (Production staged by a different company - this means I have seen this production).
Anything in bold the author has seen performed.
"The androgyny, sexuality, space alienness, murkiness, tribalism, roboticism, energy, eroticism, wildness, sensuality, urbanism − all are among Eyal and Behar’s hallmarks... " Shir Hacham: https://www.haaretz.com/.premium-footloose-former-batsheva-dancer-breaks-her-silence-1.5268901